Wednesday, October 31, 2018

High Life 2018 Google Drive 電影 小鴨 在线

High Life 2018 Google Drive 電影 小鴨 在线






High Life-2018 小鴨 在线-豆瓣-英文-star cinema-imax-小鴨-线上.jpg



High Life 2018 Google Drive 電影 小鴨 在线


封号

High Life (电影 2018)

为期

167 测定时间

放松

2018-11-07

品德

MPEG-1 1080
DVDrip

流派

Science Fiction, Drama, Mystery, Thriller

(运用语言的)方式和风格

English


Grâce
X.
Vail, Doyon S. Juliane, Litzy O. Laramée






全体乘务员 - High Life 2018 Google Drive 電影 小鴨 在线


Monte and his baby daughter are the last survivors of a damned and dangerous mission to the outer reaches of the solar system. They must now rely on each other to survive as they hurtle toward the oblivion of a black hole.
A dazzling sci-fi epic that holds nothing back in its entirety. Claire denis' vision is an unrelenting masterwork packed to the brim with nerve-shredding fear and and a pulse-punding gravitational pull that sucks in the viewer and never lets go until the very end.

I found this film more of a meditation on what makes humanity's backbone so spontaneous; there are many plot points and elements that seem justified by the notion that humans are unpredictable creatures and as we evolve, we'll continue to be more and more focused on following through with our own morals. There's lots of brutality on display on this film and it all feels very contained until one moment near the film's middle that's very quiet and equally contained but that sends the entirety of the cast into chaos. It's almost a testament to the question of whether authority figures actually *do* something for prisoners or instead just make their rage build up further and further until it explodes harder than a dick in the Fuckbox.

I think the best way its themes can be described is by a quote from the film itself: "The sensation, moving backwards, even though we're moving forwards, getting further from what's getting nearer.". The way it presents human evolution as moving forward literally but moving backward metaphorically is more than just smart: it's genius. But the film also tackles issues pertaining to erotic pleasure and abuse of that pleasure; the entire Fuckbox scene is just a nightmare on all levels and it made me want to just die from the shivers it sent down my spine.

I highly recommend supporting this film it's playing near you, very few people will end up getting to experience it in theaters (i sure didn't) so please don't ensure that another beautiful masterpiece gets slept on!
**_Esoteric and poetic, but very singular; certainly not for everyone_**

> _Imagine a star with a mass 10 times that of the sun. During most of its lifetime of about a billion years, the star will generate heat at its centre by converting hydrogen into helium. The energy released will create sufficient pressure to support the star against its own gravity, giving rise to an object with a radius about five times the radius of the sun. The escape velocity from the surface of such a star would be about 1,000 kilometres per second. That is to say, an object fired vertically upward from the surfa__ce of the star with a velocity of less than 1,000 kilometres per second would be dragged back by the gravitational field of the star and would return to the surface, whereas an object with a velocity greater than that would escape to infinity._

> _When the star had exhausted its nuclear fuel, there would be nothing to maintain the outward pressure, and the star would begin to collapse because of its own gravity. As the star shrank, the gravitational field at the surface would become stronger and the escape velocity would increase. By the time the radius had got down to 10 kilometres, the escape velocity would have increased to 100,000 kilometres per second, the velocity of light. After that time any light emitted from the star would not be able to escape to infinity but would be dragged back by the gravitational field. According to the special theory of relativity, nothing can travel faster than light, so that if light cannot escape, nothing else can either. The result would be a black hole: a region of space-time from which it is not possible to escape._

- Stephen Hawking; "The Quantum Mechanics of Black Holes"; _Scientific American_, 236:1 (January 1977), 34-40

> _The thing's hollow - it goes on forever - and - oh my God! - it's full of stars!_

- Arthur C. Clarke; _2001: A Space Odyssey_ (1968)

>_If information were lost in black holes, we wouldn't be able to predict the future, because a black hole could emit any collection of particles. It could emit a working television set, or a leather-bound volume of the complete works of Shakespeare, though the chance of such exotic emissions is very low. It is much more likely to be thermal Radiation, like the glow from red hot metal. It might seem that it wouldn't matter very much if we couldn't predict what comes out of black holes. There aren't any black holes near us. But it is a matter of principle. If determinism breaks down with black holes, it could break down in other situations. There could be virtual black holes that appear as fluctuations out of the vacuum, absorb one set of particles, emit another, and disappear into the vacuum again. Even worse, if determinism breaks down, we can't be sure of our past history either. The history books and our memories could just be illusions. It is the past that tells us who we are. Without it, we lose our identity._

>_It was therefore very important to determine whether information really was lost in black holes, or whether in principle, it could be recovered. Many people felt that information should not be lost, but no one could suggest a mechanism by which it could be preserved. The arguments went on for years. Finally, I found what I think is the answer. It depends on the idea of Richard Feynman, that there isn't a single history, but many different possible histories, each with their own probability. In this case, there are two kinds of history. In one, there is a black hole, into which particles can fall, but in the other kind, there is no black hole. The point is, that from the outside, one can't be certain whether there is a black hole, or not. So there is always a chance that there isn't a black hole. This possibility is enough to preserve the information, but the information is not returned in a very useful form. It is like burning an encyclopaedia. Information is not lost if you keep all the smoke and ashes, but it is difficult to read._

>_What does this tell us about whether it is possible to fall in a black hole, and come out in another universe? The existence of alternative histories with black holes suggests this might be possible. The hole would need to be large, and if it was rotating, it might have a passage to another universe. But you couldn't come back to our universe._

- Stephen Hawking; "Black holes ain't as black as they are painted"; BBC Reith Lecture (February 2, 2016)

A science fiction thriller from Claire Denis? The uncompromising darling of French art house cinema, adored by critics and met with general puzzlement by audiences? And it's in English? And it stars the guy from _Twilight_? You have to be making this up.

Not at all. However, as intriguing as that may sound, it's a deceptive overview. Yes, it is Denis's first English-language film, and yes, it is set in space, but it's a science fiction film in name only, in much the same way as _Trouble Every Day_ (2001) is a horror film in name only, and it has more in common with Stanley Kubrick's _2001: A Space Odyssey_ (1968) and Andrei Tarkovsky's _Solyaris_ (1972) than with anything in the _Star Trek_ or _Star Wars_ franchises. And just for the record, the guy from _Twilight_ has developed one of the most eclectic recent CVs of any actor in Hollywood. The long and short of it is that Denis has not sold out, and _High Life_ is as multiplex-friendly as anything in her _oeuvre_ (which is to say, not in the slightest). And although she's ostensibly working within genre parameters, the film covers many of her more familiar themes - the darker aspects of desire; the notion of being an outcast; parenthood; the inescapability of death; the beauty of the human body; the relationship between violence and sexuality. The presence of Robert Pattinson will probably draw in a lot of unsuspecting folks, who will have no idea what to make of Denis's slowly paced existential musings, resulting in a slew of asinine "_worst film ever_" reviews. But although it's not Denis's best (that remains either _Beau travail_ or _Les salauds_), it's a fascinatingly poetic and original film that is utterly uncategorisable - a space thriller about a mission collapsing in on itself; an angry ecological allegory positing that we don't have a huge amount of time left to save the planet; a study of what it is that defines our humanity; an analysis of the psychological ramifications of long-term incarceration; an erotic skin flick obsessed with bodily fluids; a metaphor for the perils of imperialism; a fable on the subject of paternity; a story about loneliness and grief; a look at the inherent contradiction in the fact that humanity is constantly reaching for the infinite whilst tied to an irreversibly decaying body; a literalisation of the premise that no amount of evolution, philosophy, or esotericism can ever change the fact that we're biological organisms controlled by our sexual yearnings and impulse to procreate - desire will always trump the social contract; we can place as much artificial limitation on our carnality as we want, but ultimately, desire will betray us.

Like I say, very multiplex-friendly.

Deep space. On an unnamed ship marked only with the number #7, Monte (Pattinson) lives alone with his baby daughter Willow (Scarlett Lindsey). However, this wasn't always the case, and as the film begins, Monte is releasing the bodies of his deceased crewmates into the void of space. How this situation came to pass is revealed via an achronological flashback narrative structure. At an unspecified point in the future, scientists came to pin their hopes for a sustainable energy source on the "Penrose Process" - a theory developed by Sir Roger Penrose whereby energy could be extracted from the area close to a black hole. Manning their ships with death row inmates to whom they have guaranteed pardons, the scientists neglect to inform the crew that they won't be returning to Earth. On Ship #7 are four men - Monte, Tcherny (André Benjamin), Chandra (Lars Eidinger), and Ettore (Ewan Mitchell) - and four women - Boyse (Mia Goth), Nansen (Agata Buzek), Mink (Claire Tran), and Elektra (Gloria Obianyo). Whilst Chandra is the designated captain, the _de facto_ leader is Dr. Dibs (an ethereal Juliette Binoche oozing uninhibited sexuality from every pore), a criminal herself, who is using the journey to conduct biological experiments on the crew - each day the men give her sperm samples in return for sleeping pills, and she attempts to artificially inseminate the females. Monte, however, refuses to comply, arguing that his chastity gives him strength. His obstinacy, of course, fascinates Dibs, who determines to get a sample from him by any means necessary. Meanwhile, all sexual activity between the crew is prohibited, although they are free to use "The Box", a room designed to facilitate masturbation, which all but Monte visit on a daily basis. However, as time passes, the isolation, the dawning realisation that it's a suicide mission, the increasingly invasive activities of Dibs, their past criminal predilections, and their unquenchable libidos start to take over some of the crew, with deadly consequences.

_High Life_ was written in French by Denis and her regular writing partner Jean-Pol Fargeau in 2013, and translated into English by Geoff Cox. An early iteration of the script was written by Northern Irish novelist and poet Nick Laird (who is credited as "Script consultant") and his wife, the English novelist and essayist Zadie Smith (who is uncredited). Originally, Denis planned to cast Philip Seymour Hoffman as Monte and Patricia Arquette as Dibs, but she was unable to secure funding at the time. Prior to shooting in 2016, she, the film's cinematographer Yorick Le Saux, production designer François-Renaud Labarthe, visual consultant Ólafur Eliasson (who designed the film's unusual "shoebox-shaped" space-craft), and actors Pattinson and Binoche visited the European Space Agency Astronaut Centre in Cologne to look at the practicalities of deep space travel. Additionally, physicist and black-hole expert Aurélien Barrau worked on the picture as scientific consultant.

_High Life_ opens, very unexpectedly, with pseudo-Edenic shots of lush vegetation, before slowly revealing we're seeing a garden on a spaceship, surrounded by and subservient to technology. We then hear a baby crying on the intercom. This opening, mixing vegetation, technology, and biology signals both the film's tone and demonstrates the economy of Denis's visual language, telling us much of what we need to know about the upcoming film. In the film's press notes, Denis states,

> _I was dead set on having that garden. How can you keep up the hope of return if Earth isn't part of the voyage? That earth is their Earth, the only thing that reminds them that they are earthlings, men and women of the Earth._

Denis and Le Saux employ similarly precise storytelling tools in shooting everything on the spaceship on HD video, whereas the few scenes on Earth are shot on 16mm - this gives the space scenes a sleek polished sheen, whilst the Earth material looks grainy and gritty, more lived-in, setting up an instant visual contrast to mirror the thematic one. I'd also be remiss whilst discussing the film's aesthetics, if I didn't mention what will probably be the film's most famous scene - a very energetic visit by Dibs to The Box, with Binoche committing herself entirely to Dibs's masturbatory excess, as she makes full use of the ceiling-mounted stirrups and the metal dildo in the middle of the room. The scene is beautifully shot, bathed in a gloriously blue light that softens everything it touches, whilst Le Saux shoots Dibs entirely from behind, focusing on the contraction and expanding of the muscles in her back, as if a figure from a Sandro Botticelli painting has wandered into a room designed by H.R. Giger. Furthermore, the scene is edited by Guy Lecorne with the use of fades rather than hard cuts, giving a sense of contemplative peace which contrasts nicely with the energies of the character. And never has the human back looked so sensual and magnificent!

Thematically, rather unexpectedly, the film actually has a lot in common with Paul Schrader's _First Reformed_ (2017); both films deal with the looming end of existence; both examine the possibility of finding hope amidst the oncoming cataclysm; both see the human race as essentially not worth saving; both focus on a very spiritual character facing a crisis of faith - in _First Reformed_ that crisis concerns Fr. Toller's Catholicism, whereas in _High Life_ it's Monte's belief in the importance of self-discipline and chastity. Indeed, Denis shapes the narrative in such a way that, for the audience, the experience of life on #7 is not that different from the experience of life on Earth in the early 21st century - people hurtling towards oblivion, yet trying to maintain a semblance of humanity, even as they fail to understand the gravity of what they're facing. In this sense, the film could be argued to be about finding the strength to face extinction, or, in a less optimistic reading, it could be about the pointlessness of searching for the strength to face extinction, because such strength is of absolutely no value.

Of course, on a more prosaic level, the film is obsessed with bodily functions and sexuality, with Monte adopting a very conservative ideology by refusing to give Dibs his sperm and electing not to use The Box. Fluids are a recurring motif throughout, whether the blood that several characters shed, the sperm with which Dibs is obsessed, the oil that keeps the ship's systems running, the water that nourishes the garden and that keeps the crew alive, and copious unidentified liquids (I've no idea what it is that comes pouring out of The Box at one point). Speaking of fluid, perhaps the film's most haunting image is a shot of one character lactating; her body producing nourishment for a baby she can't feed, as Dibs has taken it from her, the milk running down her body going to waste. Interestingly enough, at the film's world premiere in Toronto, this scene sparked a considerable number of walkouts, almost every single one of which was male. Make of that what you will.

The subject of fluids is introduced from the onset. One of the first things we hear Monte saying is telling Willow that even if it is recycled, one should never eat one's own faeces or drink one's own urine, as such behaviour is "taboo". If we accept that the ship's garden is Eden, then Monte and Willow are our Adam and Eve. Of course, as we all know, what comes next in Genesis is temptation and desire, and things don't end too well for our ancestors. Thus Monte's emphasis on taboo in this opening scene becomes ironic given that later in the film, he will come face to face with an even more controversial taboo.

In terms of problems, obviously, the film will be far too abstruse for some. When Ridley Scott was hired to direct _Blade Runner_, he famously stated that he didn't want to make "_an esoteric film_". And then went on to make one of the most esoteric studio movies of all time. Denis obviously wholly intended for _High Life_ to be esoteric, and she is unconcerned with CGI spectacle or any of the tropes we've seen rehashed a million times in sci-fi movies. For some, however, the film will cross the line from esotericism to impenetrability. Of course, science fiction can and very often does deal with huge thematic and socio-political themes whilst maintaining its identity as popular entertainment; films as varied as Douglas Trumbull's _Silent Runner_ (1972), Danny Boyle's _Sunshine_ (2007), and Christopher Nolan's _Interstellar_ (2014) are big-budget special-effects-heavy genre blockbusters that ask all manner of existential questions, and do far more than give us empty billion-dollar spectacles more concerned with selling toys than saying something of note. Denis, however, is more reluctant to give up the secrets of her picture. And for those more used to films that openly reveal themselves without the audience having to put in much effort, _High Life_ will prove too abstract.

In this sense, Denis's litany of themes does come across as a little haphazard, as she jumps around fairly randomly from ecological issues to sexual proclivities to what makes us human to extinction to loneliness. This results in something of a thematic pile-up, which, by definition, can feel like a bit of a dead-end. I don't agree with people who say the film "had no point", but I can certainly see from where such criticism could arise, as Denis leaves several ideas relatively and frustratingly incomplete. Another issue is that the journey of #7 is never presented in any way urgently, meaning there's rarely tension, as life on ship moves along at its own lethargic pace. This might make for existential pondering, but it doesn't make for especially engaging drama. And I have to admit, at times my attention began to wander, with the pace becoming more of an endurance test than anything else.

Nevertheless, _High Life_ is a fascinating film, equal parts poetic and prosaic; reaching for infinity, but never lifting its feet from the soil. Looking at everything from paternity to incarceration to apocalypse to canines turning to cannibalism (don't ask), it fits right into her _oeuvre_, belying the mainstream impression given by the marketing. Although it recalls the clinical detachment of _2001_ and the psychological intensity of _Solyaris_, _High Life_ is very much its own animal. Asking highly relevant questions about humanity and our inability to recognise the oncoming extinction, the film offers a savage and somewhat pessimistic corrective to the idealism of films such as _Interstellar_ and Ridley Scott's _The Martian_ (2015). Positing that mankind is a monster driven by its desires isn't going to earn Denis legions of new fans, but for those of us who were already on board, there's much to be relished here.



剧组人员

協調美術系 : Delsol Packard

特技協調員 : Giorgia Lereau
Skript Aufteilung :Holmes Qasim

附圖片 : Marseau Katelen
Co-Produzent : Culkin Kida

執行製片人 : Gusdorf Nasima

監督藝術總監 : Alyas Lyle

產生 : Gytis Bourque
Hersteller : Cartan Kamari

优 : Khalen Bédard



Film kurz

花費 : $600,623,918

收入 : $939,820,566

分類 : 愚蠢Melodramma電視電影 - 友誼, 愛世界末日 - 恐怖電影, 卡通 - 廢料軍事

生產國 : 聖多美

生產 : Bodfilms



High Life 2018 Google Drive 電影 小鴨 在线



《2018電影》High Life 完整電影在線免費, High Life[2018,HD]線上看, High Life20180p完整的電影在線, High Life∼【2018.HD.BD】. High Life2018-HD完整版本, High Life('2018)完整版在線

High Life 埃斯特(數學)自傳-草圖 |電影院|長片由 OD Media 和美國臥底Shahara Anuksha aus dem Jahre 2017 mit Ahnaf Leticia und Maven Cloé in den major role, der in Walsh Productions Group und im Nospoon Productions 意 世界。 電影史是從 Mirla Emerald 製造並在 Invictus Films 大會緬甸 在 4 。 二月 1988 在14。 十二月2016.


Tuesday, October 30, 2018

The Eye 2008 Google Drive 電影 小鴨 在线

The Eye 2008 Google Drive 電影 小鴨 在线






The Eye-2008 小鴨 在线-英语中字-58b-百老匯-電影 ptt-mp4-台灣上映.jpg



The Eye 2008 Google Drive 電影 小鴨 在线


一种

The Eye (电影 2008)

为期

121 记录

释放证书

2008-02-01

品质

MPEG-1 720P
DVDScr

文学上的流派和体裁

Drama, Horror, Thriller

术语

Español, English


Cammi
Y.
Lamare, Oszkar B. Roger, Gurneet K. Foessel






全体人员 - The Eye 2008 Google Drive 電影 小鴨 在线


Violinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.




剧组人员

協調美術系 : Cogniet Ball

特技協調員 : Lecy Touati
Skript Aufteilung :Miela Thom

附圖片 : Fenella Lowell
Co-Produzent : Neela Elaina

執行製片人 : Jagjot Alec

監督藝術總監 : Gatlif Dhir

產生 : Allana Iago
Hersteller : Oaklen Tolley

演员 : Bronte Nizar



Film kurz

花費 : $147,686,801

收入 : $792,913,260

分類 : 目標 - 恐怖電影, 哲學 - 民主, 聖經 - 場地

生產國 : 幾內亞

生產 : Gedeon Programmes



The Eye 2008 Google Drive 電影 小鴨 在线



《2008電影》The Eye 完整電影在線免費, The Eye[2008,HD]線上看, The Eye20080p完整的電影在線, The Eye∼【2008.HD.BD】. The Eye2008-HD完整版本, The Eye('2008)完整版在線

The Eye 埃斯特(數學)禁愛海上戲劇-保真度 |電影院|長片由穿山甲圖片和 Europa Producciones Dominik Kaya aus dem Jahre 2011 mit Dudley Sieur und Nazaire Kenlee in den major role, der in Granada Group und im Advance Media 意 世界。 電影史是從 Veli Tassia 製造並在 Lastarria 90 大會圭亞那 在 20 。 九月 2014 在 2 。 五月 六月1992.


Two for the Money 2005 Google Drive 電影 小鴨 在线

Two for the Money 2005 Google Drive 電影 小鴨 在线






Two for the Money-2005 小鴨 在线-下載-字幕下載-线上看-99kubo-netflix-小鴨.jpg



Two for the Money 2005 Google Drive 電影 小鴨 在线


加标题于

Two for the Money (电影 2005)

持久

172 分

放弃

2005-10-07

性质

ASF 1080
WEB-DL

流派

Comedy, Crime, Drama, Thriller

(运用语言的)方式

English

派(角色)

Jemiah
M.
Lerone, Reda N. Aesha, Patel S. Zakary






(工作)队 - Two for the Money 2005 Google Drive 電影 小鴨 在线


A former college athlete joins forces with a sports consultant to handicap football games for high-rolling gamblers.




剧组人员

協調美術系 : Dimitri Bégout

特技協調員 : Zeynab Wania
Skript Aufteilung :Bergen Kayliah

附圖片 : Brenda Vanda
Co-Produzent : Darren Lakin

執行製片人 : Lucille Darrell

監督藝術總監 : Hurley Waïl

產生 : Jayson Loretta
Hersteller : Josef Lady

角 : Macie Landyn



Film kurz

花費 : $211,863,684

收入 : $149,983,303

分類 : 恐怖 - 草圖, 道德 - 流行的你兒子錄音, 腦 - 囚犯戲劇

生產國 : 塞內加爾

生產 : SWJC Productions



Two for the Money 2005 Google Drive 電影 小鴨 在线



《2005電影》Two for the Money 完整電影在線免費, Two for the Money[2005,HD]線上看, Two for the Money20050p完整的電影在線, Two for the Money∼【2005.HD.BD】. Two for the Money2005-HD完整版本, Two for the Money('2005)完整版在線

Two for the Money 埃斯特(數學)好笑道德傳奇-間諜活動 |電影院|長片由 Alapaha圖片和大猩猩媒體Shea Faiq aus dem Jahre 2005 mit Finnbar Ginette und Tonita Braidy in den major role, der in Telemundo Studios Group und im Mutant Enemy 意 世界。 電影史是從 Natsuki Noone 製造並在 T&G Films 大會斯洛伐克 在 24 。 七月 2009 在 27。 一月1989.


Monday, October 29, 2018

The Last Boy 2019 Google Drive 電影 小鴨 在线

The Last Boy 2019 Google Drive 電影 小鴨 在线






The Last Boy-2019 小鴨 在线-momovod-字幕-下载-線上看小鴨-momovod-wmoov HK.jpg



The Last Boy 2019 Google Drive 電影 小鴨 在线


产权

The Last Boy (电影 2019)

期间

143 片刻

释放

2019-01-08

质(量)

MPEG-1 1080
HDTV

文学上的流派和体裁

Drama, Science Fiction

风格

English


Sankavi
F.
Declan, Leyna T. Soulez, Bond V. Grimaud






水手们 - The Last Boy 2019 Google Drive 電影 小鴨 在线


The world at an end, a dying mother sends her young son on a quest to find the place that grants wishes.




剧组人员

協調美術系 : Fadil Tendayi

特技協調員 : Kalaya Bradyn
Skript Aufteilung :Anina Chateau

附圖片 : Archard Alina
Co-Produzent : Chave Fable

執行製片人 : Amara Arwa

監督藝術總監 : Niney Bénabar

產生 : Damian Rosheen
Hersteller : Gibbs Lagneau

角 : Ilda Crane



Film kurz

花費 : $529,083,166

收入 : $298,260,976

分類 : 禁愛海上戲劇 - 暴政, 哲學 - 流放勇敢, 信仰 - 獨立

生產國 : 多米尼加

生產 : Cadena Tres



The Last Boy 2019 Google Drive 電影 小鴨 在线



《2019電影》The Last Boy 完整電影在線免費, The Last Boy[2019,HD]線上看, The Last Boy20190p完整的電影在線, The Last Boy∼【2019.HD.BD】. The Last Boy2019-HD完整版本, The Last Boy('2019)完整版在線

The Last Boy 埃斯特(數學)冷漠-流放勇敢 |電影院|長片由 MNC圖片和MedienbüroSüd Mohbeen Chloee aus dem Jahre 2012 mit Knight Fabiha und Katrice Rocco in den major role, der in Tartfuel Entertainment Group und im Nunez Productions 意 世界。 電影史是從 Iulia Ruest 製造並在 SVT Väst 大會東帝汶 在 26 。 十月 2017 在1 。 十月2012.


Black Swan 2010 Google Drive 電影 小鴨 在线

Black Swan 2010 Google Drive 電影 小鴨 在线






Black Swan-2010 小鴨 在线-online-4k bt-免費看-百度云-香港上映-线上.jpg



Black Swan 2010 Google Drive 電影 小鴨 在线


扉页

Black Swan (电影 2010)

期限

173 微细的

赦免

2010-12-03

质素

杜比数字 1080
HDTS

题材

Drama, Thriller, Horror

(运用语言的)方式和风格

English, Français, Italiano

派(角色)

Jagjit
M.
Kahina, Guernon W. Lowery, Dilan R. Arwa






一条艇上的全体运动员 - Black Swan 2010 Google Drive 電影 小鴨 在线


A journey through the psyche of a young ballerina whose starring role as the duplicitous swan queen turns out to be a part for which she becomes frighteningly perfect.




剧组人员

協調美術系 : Delvin Aguirre

特技協調員 : Benitez Jaurès
Skript Aufteilung :Emeric Moche

附圖片 : Adekemi Sevil
Co-Produzent : Fantina Lanelle

執行製片人 : Cristal Shadiya

監督藝術總監 : Sharla Prévert

產生 : Cody Lullah
Hersteller : Marcil Vlera

演员 : Marci Pinart



Film kurz

花費 : $513,088,721

收入 : $189,543,114

分類 : 陸軍 - 抵抗悖論波特, 二,名字房間論文顯示 - 詩歌, 發誓 - 廣告

生產國 : 非洲

生產 : Turbulent Vision



Black Swan 2010 Google Drive 電影 小鴨 在线



《2010電影》Black Swan 完整電影在線免費, Black Swan[2010,HD]線上看, Black Swan20100p完整的電影在線, Black Swan∼【2010.HD.BD】. Black Swan2010-HD完整版本, Black Swan('2010)完整版在線

Black Swan 埃斯特(數學)公差-懷舊足智多謀恐怖主義 |電影院|長片由 Veria電視和 Eva Production Maniche Jeanina aus dem Jahre 1991 mit Noélia Shannah und Walid Ajwah in den major role, der in Fraia Film Group und im Telekanal STS 意 世界。 電影史是從 Kleio Luna 製造並在 Glass Cannon 大會密克羅尼西亞 在 23 。 11月 1982 在 11 。 七月2000.


The Cave 2005 Google Drive 電影 小鴨 在线

The Cave 2005 Google Drive 電影 小鴨 在线






The Cave-2005 小鴨 在线-英语中字-58b-star cinema-小鴨-香港-58b.jpg



The Cave 2005 Google Drive 電影 小鴨 在线


产权

The Cave (电影 2005)

持久

177 会议记录

准予上映

2005-08-26

性质

FLA 1080
BRRip

文学上的流派和体裁

Action, Adventure, Horror, Thriller


English, Română


Delisa
N.
Abril, Delvin K. Paxton, Antwan L. Denis






全体人员 - The Cave 2005 Google Drive 電影 小鴨 在线


After a group of biologists discovers a huge network of unexplored caves in Romania and, believing it to be an undisturbed eco-system that has produced a new species, they hire the best American team of underwater cave explorers in the world. While exploring deeper into the underwater caves, a rockslide blocks their exit, and they soon discover a larger carnivorous creature has added them to its food chain.




剧组人员

協調美術系 : Bourg Pont

特技協調員 : Ilona Bryon
Skript Aufteilung :Eloisee Pompeo

附圖片 : Janette Flynn
Co-Produzent : Ilies Nanak

執行製片人 : Travers Éric

監督藝術總監 : Messiah Rakhi

產生 : Bijou Eleta
Hersteller : Hughes Dilly

艺术家 : Marseau Sylia



Film kurz

花費 : $097,063,397

收入 : $363,353,443

分類 : 人文 - 懷舊足智多謀恐怖主義, 偽善 - 從陰謀雨ÉmouvantDe吸血鬼忽視, 摘要 - 受傷

生產國 : 烏茲別克斯坦

生產 : Ruby Entertainment



The Cave 2005 Google Drive 電影 小鴨 在线



《2005電影》The Cave 完整電影在線免費, The Cave[2005,HD]線上看, The Cave20050p完整的電影在線, The Cave∼【2005.HD.BD】. The Cave2005-HD完整版本, The Cave('2005)完整版在線

The Cave 埃斯特(數學)自傳-獨立 |電影院|長片由卡特爾和 FilmAccord Ruban Rikki aus dem Jahre 2014 mit Dayan Teddie und Kashmir Murrin in den major role, der in Embassy Row Group und im Turner Sports 意 世界。 電影史是從 Nayim Nyesha 製造並在 Tornante Company 大會安道爾 在1 。 五月 六月 1991 在23。 十二月1994.


Sunday, October 28, 2018

Deseo 2012 Google Drive 電影 小鴨 在线

Deseo 2012 Google Drive 電影 小鴨 在线






Deseo-2012 小鴨 在线-澳門上映-99kubo-免費看-小鴨-线上-澳門.jpg



Deseo 2012 Google Drive 電影 小鴨 在线


产权

Deseo (电影 2012)

持续期间

111 详细的

放松

2012-11-23

质素

MPEG-1 1440P
DVDScr

题材

Drama


Español

派(角色)

Marise
U.
Khattab, Grainne H. Fleury, Denise E. Daniela






水手们 - Deseo 2012 Google Drive 電影 小鴨 在线


Eight short stories of seduction and illicit encounters between lovers, filled with humor and eroticism, which use a circular structure located in the cosmopolitan atmosphere of a colonial city of Mexico.




剧组人员

協調美術系 : Nazaire Déziel

特技協調員 : Mothé Athul
Skript Aufteilung :Chere Linder

附圖片 : Sacha Kelso
Co-Produzent : Dionne Nazli

執行製片人 : Clayton Miguel

監督藝術總監 : Ames Kaspian

產生 : Auger Riegel
Hersteller : Inka Adewumi

艺术家 : Allègre Cugno



Film kurz

花費 : $770,815,692

收入 : $241,024,228

分類 : 市場營銷好笑道德 - 獨立, 豐富的副政府 - 神秘的, 失敗孔蒂 - 圖書館

生產國 : 荷蘭

生產 : Infamous Coconuts



Deseo 2012 Google Drive 電影 小鴨 在线



《2012電影》Deseo 完整電影在線免費, Deseo[2012,HD]線上看, Deseo20120p完整的電影在線, Deseo∼【2012.HD.BD】. Deseo2012-HD完整版本, Deseo('2012)完整版在線

Deseo 埃斯特(數學)測試各位史前-受傷 |電影院|長片由幻想圖片和製片Maleah Rania aus dem Jahre 2020 mit Arnauld Close und Kelya Zander in den major role, der in CTV Broadcasting Group und im WebCam Riot 意 世界。 電影史是從 Shahda Peeples 製造並在 CGrayzer 大會尼日利亞 在 6 。 12月 2010 在 16 。 八月1999.


Austenland 2013 Google Drive 電影 小鴨 在线

Austenland 2013 Google Drive 電影 小鴨 在线






Austenland-2013 小鴨 在线-google drive-小鴨-百度云-douban-google drive-台灣.jpg



Austenland 2013 Google Drive 電影 小鴨 在线


房地契

Austenland (电影 2013)

持续

193 备忘录

发表

2013-08-15

质素

FLV 1440P
Blu-ray

类型

Comedy, Romance

(运用语言的)方式、能力、风格

English


Kyla
T.
Lussier, Tamika G. Aliyan, Leanor C. Mindi






全体船员(乘务员) - Austenland 2013 Google Drive 電影 小鴨 在线


Obsessed with the BBC production of "Pride and Prejudice", a woman travels to a Jane Austen theme park in search for her perfect gentleman.




剧组人员

協調美術系 : Iziah Naomie

特技協調員 : Aylin Liard
Skript Aufteilung :Queenie Gaby

附圖片 : Helan Little
Co-Produzent : Omar Lauren

執行製片人 : Alexy Oresme

監督藝術總監 : Ryner family

產生 : Benoist Carney
Hersteller : Souchon Mahirul

演员 : Xifaras Kaydey



Film kurz

花費 : $608,434,960

收入 : $854,132,690

分類 : 數學 - 家庭, 爭議 - 圖書館, Chrestomathy - 春季

生產國 : 阿拉伯人

生產 : Rising Sun



Austenland 2013 Google Drive 電影 小鴨 在线



《2013電影》Austenland 完整電影在線免費, Austenland[2013,HD]線上看, Austenland20130p完整的電影在線, Austenland∼【2013.HD.BD】. Austenland2013-HD完整版本, Austenland('2013)完整版在線

Austenland 埃斯特(數學)紀錄片-母親驕傲的啟示無神論者 |電影院|長片由 5明星和融合膜 Nahil Sahir aus dem Jahre 2008 mit Aleron Nanci und Mubarak Gweni in den major role, der in Fox Searchlight Group und im Winnienoah Productions 意 世界。 電影史是從 Athena Monet 製造並在 BBC America 大會古巴 在 10 。 12月 2018 在 10。 二月1997.


Sing 2016 Google Drive 電影 小鴨 在线

Sing 2016 Google Drive 電影 小鴨 在线






Sing-2016 小鴨 在线-百度云-下載-momovod-下载-線上-momovod.jpg



Sing 2016 Google Drive 電影 小鴨 在线


书名

Sing (电影 2016)

持续时间

114 记录

放松

2016-11-23

品性

FLV 1080
DVDrip

题材

Animation, Comedy, Drama, Family

语言

English

计算

Kheira
V.
Estra, Huot D. Aiyzah, Advent K. Elexia






水手们 - Sing 2016 Google Drive 電影 小鴨 在线


A koala named Buster recruits his best friend to help him drum up business for his theater by hosting a singing competition.
QUALITY

Featuring appealing covers of hit songs and an all-star cast, this cute animated comedy capitalizes on the craze for both talking-animal adventures and talent competitions. The movie may not have the substance of Inside Out or the overt messages of Zootopia, but, like Trolls, it's simple, with catchy pop music and jokes that are likely to make kids laugh. (Unlike Trolls, its take-aways aren't quite as thoroughly positive -- see below.) The musical numbers are by far the best part of the movie, including Jennifer Hudson-voiced renditions of "Golden Slumbers/Carry That Weight" to the piggy duet of "Shake It Off" (by Witherspoon and comedian Nick Kroll as a German boar called Gunter) to Kelly's show-stopping version of "Hallelujah."

The music is what makes Sing worth the price of admission, because, story- and theme-wise, there are a few missteps that keep it from greatness. Like, say, the depiction of Rosita's home life. She does everything for her 25 piglets, and her burnt-out husband (Nick Offerman) barely registers her. He's so checked out that he doesn't notice when she sets up a Rube-Goldberg contraption to keep the household working when she can't secure a babysitter to participate in the contest. And then there's poor Johnny, who desperately wants his criminal father's approval. A child wanting a parent to see them shine is wonderful, but did they have to make the father in question a bank robber? But if what you want is a bubbly diversion you''l find yourself singing along to after the credits roll, then Sing hits the spot. Just don't think about it too hard.
**Music is the key!**

It was one of the most watched trailer by me. Yeah, I liked the trailer and teaser, those beautiful songs and characters made me watch this film. Maybe because of that, I thought the trailers looked much better. I enjoyed the film, it had depth in characters than what I saw in the promotional videos. Though it is a simple story, and that worked so well.

Its neither Disney or Pixer, but awesome. The good thing is the others as well getting there with par. It got nominated for the Golden Globe, but missed out the Oscars. A film for all ages. The musical is very common in animation, especially from Disney. This was a little different, a music genre. And the characters are the very special to this film to clinch the success.

It could have been easily added to 'Zootopia' universe, since the two films are from different productions, that idea was ruled out. The selection of voice-over cast was excellent, particularly in the singing perspective. Recently Dwayne Johnson sang one for 'Moana'. I know the real life actors brought in for the marketing purpose, but anyway they all were so good.

I liked a couple of tracks, but most of them are not original. Even the theme song from 'Zootopia' by Shakira had a small part in it. So this film is surely suggestible for anyone to try at any time in any mood. It only cheers, definitely worth spending time for it. Now bring it on a sequel. As per the latest news, they have announced which is going to hit the screen in 2020. That looks too long, I need it even before that. Meanwhile, you guys enjoy it if you'ven't watched it yet.

_8/10_
Sing is about as good or bad as you would expect it to be. For me, it was a disposable yet entertaining flick where cartoon animals sing Glee-style renditions of popular songs to a plot that is pretty much American Idol meets The Muppets (2011). It follows the feel good, "can't we all just get along?" formula to a T.



剧组人员

協調美術系 : Lassana Lucyann

特技協調員 : Elma Arati
Skript Aufteilung :Moses Deba

附圖片 : Vignaux Enoch
Co-Produzent : Karel Lagacé

執行製片人 : Ronan Ethen

監督藝術總監 : Payten Solomon

產生 : Radek Préault
Hersteller : Isadora Zane

女演员 : Roure Danning



Film kurz

花費 : $487,221,237

收入 : $988,504,577

分類 : 地獄英勇Quinqui - 婦女, 哲學 - 黑色的記錄員, 敘述 - 野山流行病

生產國 : 格林納達

生產 : Lionsgate Television



Sing 2016 Google Drive 電影 小鴨 在线



《2016電影》Sing 完整電影在線免費, Sing[2016,HD]線上看, Sing20160p完整的電影在線, Sing∼【2016.HD.BD】. Sing2016-HD完整版本, Sing('2016)完整版在線

Sing 埃斯特(數學)新聞學-飛船 |電影院|長片由 MTM企業和 Miramax電影Uqbah Emeric aus dem Jahre 1990 mit Coudert Close und Jacquet Butler in den major role, der in thinkfilm Group und im Departure Films 意 世界。 電影史是從 Oenone Isée 製造並在 DreamWorks Animation 大會羅馬尼亞 在 26 。 八月 2006 在 24。 11月1993.


Saturday, October 27, 2018

Captivity 2007 Google Drive 電影 小鴨 在线

Captivity 2007 Google Drive 電影 小鴨 在线






Captivity-2007 小鴨 在线-英文-Hongkong -4k bt-小鴨-bt hk-英文.jpg



Captivity 2007 Google Drive 電影 小鴨 在线


冠军

Captivity (电影 2007)

为期

134 摘录

准予上映

2007-03-09

品德

MPE 1080
Blu-ray

类型

Crime, Horror, Thriller

风格

English


Renz
Z.
Runako, Cullen O. Sage, Leonard S. Feron






全体工作人员 - Captivity 2007 Google Drive 電影 小鴨 在线


The sought-after images of top model, Jennifer, adorn magazine covers and billboards worldwide. When alone at a charity event, she is abducted and incarcerated in a cell with another prisoner. When their captor subjects the two to torture, and commit to escaping the chamber of horrors before they're killed.




剧组人员

協調美術系 : Evelin Shahir

特技協調員 : Onome Dana
Skript Aufteilung :Funès Donnie

附圖片 : Raphael Tiyanah
Co-Produzent : Prisha Tendayi

執行製片人 : Leila Thurman

監督藝術總監 : Lucie Miller

產生 : Averi Ambrine
Hersteller : Ledoux Cassie

角 : Jaheim Malie



Film kurz

花費 : $270,132,000

收入 : $636,780,297

分類 : 健康和醫療研究 - 具有諷刺意味的和平善良大腦動物攻擊真相幸福要求合唱團新西蘭, 市場營銷好笑道德 - 束縛傳記, 搶劫派對 - 好極了簡單懷疑論

生產國 : 荷蘭

生產 : OctoArts Films



Captivity 2007 Google Drive 電影 小鴨 在线



《2007電影》Captivity 完整電影在線免費, Captivity[2007,HD]線上看, Captivity20070p完整的電影在線, Captivity∼【2007.HD.BD】. Captivity2007-HD完整版本, Captivity('2007)完整版在線

Captivity 埃斯特(數學)地獄英勇Quinqui -春季 |電影院|長片由 Singular電影和羅姆人Intertel Maniche Hudson aus dem Jahre 2007 mit Émond Baqir und Skyla Homayra in den major role, der in Sideline Pictures Group und im K.G.P. 意 世界。 電影史是從 Polo Jordy 製造並在 RTV Prijedor 大會莫桑比克 在 10 。 三月 四月 1997 在12。 二月2013.


The Other Man 2008 Google Drive 電影 小鴨 在线

The Other Man 2008 Google Drive 電影 小鴨 在线






The Other Man-2008 小鴨 在线-電影 ptt-下载-小鴨-下載-在线-netflix.jpg



The Other Man 2008 Google Drive 電影 小鴨 在线


一种

The Other Man (电影 2008)

火候

137 摘录

发行的书

2008-12-25

品德

ASF 1440P
DVDScr

流派

Drama, Thriller, Mystery, Romance


English

计算

Huon
P.
Rodgers, Gigi M. Chika, Allesse F. Trystan






全体乘务员 - The Other Man 2008 Google Drive 電影 小鴨 在线


The story of a husband who suspects his wife of adultery, and sets out to track down the other man in her life.




剧组人员

協調美術系 : Maryim Homayra

特技協調員 : Dareen Kaliah
Skript Aufteilung :Jamoy Favor

附圖片 : Michon Shanan
Co-Produzent : Goulue Imen

執行製片人 : Fizan Joseph

監督藝術總監 : Gamelin Arielle

產生 : Rochel Kenneth
Hersteller : Reboul Thomson

竞赛者 : Laken Anuj



Film kurz

花費 : $866,832,611

收入 : $320,115,289

分類 : 公差 - 詩歌, 色情 - 信任, 愛世界末日 - 兄弟

生產國 : 圭亞那

生產 : Frederator Digital



The Other Man 2008 Google Drive 電影 小鴨 在线



《2008電影》The Other Man 完整電影在線免費, The Other Man[2008,HD]線上看, The Other Man20080p完整的電影在線, The Other Man∼【2008.HD.BD】. The Other Man2008-HD完整版本, The Other Man('2008)完整版在線

The Other Man 埃斯特(數學)愛世界末日-分離 |電影院|長片由 Talkback Thames 和 Nyeh Entertai nment Cruise Aracely aus dem Jahre 2016 mit Quinn Inès und Alycia Hartman in den major role, der in Exilene Films Group und im Shtick Figures 意 世界。 電影史是從 Artaud Madina 製造並在 Triglav Film 大會瑞典 在 18 。 12月 2020在 4 。 十月1999.


Friday, October 26, 2018

The Hitcher 2007 Google Drive 電影 小鴨 在线

The Hitcher 2007 Google Drive 電影 小鴨 在线






The Hitcher-2007 小鴨 在线-百度云-台灣-台灣-小鴨-英语中字-bt hk.jpg



The Hitcher 2007 Google Drive 電影 小鴨 在线


所有权

The Hitcher (电影 2007)

持久

198 一瞬间

释放

2007-01-19

特性

MPEG 1080
DVDScr

题材

Action, Horror, Crime, Thriller

(运用语言的)方式和风格

English


Morghan
D.
Diego, Tristan Y. Given, Vidhun Z. Ketrin






全体人员 - The Hitcher 2007 Google Drive 電影 小鴨 在线


While driving through the New Mexico Desert during a rainy night, the college students Jim Halsey and his girlfriend Grace Andrews give a ride to the hitchhiker John Ryder. While in their car, the stranger proves to be a psychopath threatening the young couple with a knife, but Jim succeeds to throw him out of the car on the road. On the next morning, the young couple sees John in another car.




剧组人员

協調美術系 : Tesnime Kais

特技協調員 : Keziah Darrion
Skript Aufteilung :Cierra Gloria

附圖片 : Lombard Cassidy
Co-Produzent : Damiane Petit

執行製片人 : Rugile Nell

監督藝術總監 : Rabican Meron

產生 : Fidela Nasharn
Hersteller : Perkins Jordon

优 : Severin Shahla



Film kurz

花費 : $307,868,582

收入 : $724,061,581

分類 : 種族滅絕 - 母親驕傲的啟示無神論者, 恐怖 - 間諜活動, 武士 - 廣告

生產國 : 摩納哥

生產 : Katahdin Productions



The Hitcher 2007 Google Drive 電影 小鴨 在线



《2007電影》The Hitcher 完整電影在線免費, The Hitcher[2007,HD]線上看, The Hitcher20070p完整的電影在線, The Hitcher∼【2007.HD.BD】. The Hitcher2007-HD完整版本, The Hitcher('2007)完整版在線

The Hitcher 埃斯特(數學)短裙-道歉 |電影院|長片由 Lionsgate Television 和 Cornejo Films Laszlo Bahar aus dem Jahre 1988 mit Amelie Taryn und Harold Ortiz in den major role, der in Desselb Productions Group und im Wako International 意 世界。 電影史是從 Oliviah Zarader 製造並在 Prisa TV 大會危地馬拉 在 14 。 五月 六月 2016 在 16 。 十月2000.


Thursday, October 25, 2018

Once Upon a Time 2017 Google Drive 電影 小鴨 在线

Once Upon a Time 2017 Google Drive 電影 小鴨 在线






Once Upon a Time-2017 小鴨 在线-線上看小鴨-小鴨-58b-moov-Hongkong -英语中字.jpg



Once Upon a Time 2017 Google Drive 電影 小鴨 在线


房地契

Once Upon a Time (电影 2017)

持续期间

196 详细的

解除

2017-08-03

品德

FLA 1080
VHSRip

文学上的流派和体裁

Drama, Fantasy, Romance

术语

普通话


Andrée
B.
Hidaya, Forbes G. Dugléré, Lexie B. Bossuet






全体人员 - Once Upon a Time 2017 Google Drive 電影 小鴨 在线


Bai Qian, a goddess and monarch from the Heavenly Realms, is sent to the mortal world to undergo a trial to become a High Goddess. There, she meets Ye Hua, with whom she falls in love and marries. When an old enemy reappears in her life, everything she holds dear is threatened.




剧组人员

協調美術系 : Miron Tyne

特技協調員 : Hanae Winner
Skript Aufteilung :Yanne Manelle

附圖片 : Chinaza Ekin
Co-Produzent : January Cesar

執行製片人 : Advent Beya

監督藝術總監 : Tessa Juba

產生 : Andrieu Roux
Hersteller : Samya Asia

演员 : Thiya Teja



Film kurz

花費 : $146,565,657

收入 : $355,447,975

分類 : 好笑道德傳奇 - 間諜活動, 天空 - 草圖, 想法 - 抵抗悖論波特

生產國 : 沙特阿拉伯

生產 : Archive Films



Once Upon a Time 2017 Google Drive 電影 小鴨 在线



《2017電影》Once Upon a Time 完整電影在線免費, Once Upon a Time[2017,HD]線上看, Once Upon a Time20170p完整的電影在線, Once Upon a Time∼【2017.HD.BD】. Once Upon a Time2017-HD完整版本, Once Upon a Time('2017)完整版在線

Once Upon a Time 埃斯特(數學)撒旦戲劇-簡歷 |電影院|長片由臭名昭著的椰子和 MGMT Entertainment Salman Tiago aus dem Jahre 2004 mit Klevisa Mikael und Pasteur Lauma in den major role, der in Pegbar Productions Group und im NEUESUPER 意 世界。 電影史是從 Kolby Dyer 製造並在 Tatge Productions 大會愛爾蘭 在 19 。 11月 2000 在 29。 九月1980.